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	<title>Comments on: Bartleby &amp; Co. &#8211; A Verdict</title>
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	<link>http://www.mjiles.com/obookispage/?p=1414</link>
	<description>&#34;the greatest obloquy i&#039; th&#039; world&#34; William Shakespeare</description>
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		<title>By: obooki</title>
		<link>http://www.mjiles.com/obookispage/?p=1414&#038;cpage=1#comment-2441</link>
		<dc:creator>obooki</dc:creator>
		<pubDate>Thu, 23 Feb 2012 00:11:29 +0000</pubDate>
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		<description>Certain people, I suppose, like a certain kind of book very much; and then there are other people, like me, who don&#039;t. People like books which says the things they want books to say. And I really don&#039;t like books about books. (I picked up Josefina Vicens&#039; &lt;em&gt;The Empty Book&lt;/em&gt; shortly after finishing this, but just had to give up after ten or so pages and read something different, something where the narrator isn&#039;t always going on about their process of narration. What could be more tedious?).

The avant-garde I am very fond of really - &lt;em&gt;Petersburg&lt;/em&gt; was my favourite book of last year, and things don&#039;t get more avant-garde than that. But the avant-garde can also lead to great failure and disinterest for the reader: I just don&#039;t think &lt;em&gt;Bartleby &amp; Co.&lt;/em&gt; works as a novel. On the other hand, I hear Vila-Matas&#039; later works (those perhaps not yet in English) display quite a change of direction, and that kind of interests me. Why and what kind of change it is, and what sort of work it&#039;s led to.</description>
		<content:encoded><![CDATA[<p>Certain people, I suppose, like a certain kind of book very much; and then there are other people, like me, who don&#8217;t. People like books which says the things they want books to say. And I really don&#8217;t like books about books. (I picked up Josefina Vicens&#8217; <em>The Empty Book</em> shortly after finishing this, but just had to give up after ten or so pages and read something different, something where the narrator isn&#8217;t always going on about their process of narration. What could be more tedious?).</p>
<p>The avant-garde I am very fond of really &#8211; <em>Petersburg</em> was my favourite book of last year, and things don&#8217;t get more avant-garde than that. But the avant-garde can also lead to great failure and disinterest for the reader: I just don&#8217;t think <em>Bartleby &#038; Co.</em> works as a novel. On the other hand, I hear Vila-Matas&#8217; later works (those perhaps not yet in English) display quite a change of direction, and that kind of interests me. Why and what kind of change it is, and what sort of work it&#8217;s led to.</p>
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		<title>By: leroyhunter</title>
		<link>http://www.mjiles.com/obookispage/?p=1414&#038;cpage=1#comment-2438</link>
		<dc:creator>leroyhunter</dc:creator>
		<pubDate>Wed, 22 Feb 2012 13:33:18 +0000</pubDate>
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		<description>Your discussion of aspects of the book and ultimate verdict (not a surprise, so apologies for insisting you spell it out) makes me wonder what those who enthusiastically recommended it (in the Gruan Book pages, I think) were on about.

It sounds like if you knew (or were told) a little about the book, but hadn&#039;t yourself read it, then someone who had read it and liked it might appear a very clever chap.</description>
		<content:encoded><![CDATA[<p>Your discussion of aspects of the book and ultimate verdict (not a surprise, so apologies for insisting you spell it out) makes me wonder what those who enthusiastically recommended it (in the Gruan Book pages, I think) were on about.</p>
<p>It sounds like if you knew (or were told) a little about the book, but hadn&#8217;t yourself read it, then someone who had read it and liked it might appear a very clever chap.</p>
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